Chamber and Symbols
The Senate and the House of Commons sit in separate chambers in the Centre Block on Parliament Hill, located in Ottawa, Ontario.
The chamber in which the Senate sits is sometimes called the red chamber, due to the red cloth that adorns the chamber as well as the throne. The red Senate Chamber is lavishly decorated, in contrast with the more modest green Commons Chamber. This decorative scheme is inherited from the British Houses of Parliament, where the Lords chamber is a lavish room with red benches, whereas the Commons chamber is more sparsely decorated and is furnished in green.
There are chairs and desks on both sides of the chamber, divided by a centre aisle. The speaker's chair is at one end of the chamber; in front of it is the clerk's table. Various clerks sit at the table, ready to advise the speaker and the senators on procedure when necessary. Members of the government sit on the benches on the speaker's right, while members of the opposition occupy the benches on the speaker's left.
The Canadian Heraldic Authority on April 15, 2008, granted the Senate, as an institution, a heraldic achievement composed of the chamber's mace (representing the Queen's authority in the upper chamber) behind the escutcheon of the Royal Arms of Canada (representing the Queen herself, in whose name the Senate deliberates).
Read more about this topic: Senate Of Canada
Famous quotes containing the words chamber and/or symbols:
“The fate of the country does not depend on how you vote at the polls,—the worst man is as strong as the best at that game; it does not depend on what kind of paper you drop into the ballot- box once a year, but on what kind of a man you drop from your chamber into the street every morning.”
—Henry David Thoreau (1817–1862)
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)