Career Decline and Attempted Revival
By the early 1960s, he was becoming too old to play the type of role that had made him famous and was not considered appropriate for leading roles. He auditioned for David Lean's film Lawrence of Arabia but was not hired. Mineo was baffled by his sudden loss of popularity, later saying "One minute it seemed I had more movie offers than I could handle, the next, no one wanted me." He did appear on The Patty Duke Show in its second season (1964). The episode was called "Patty Meets a Celebrity". There are stories he attempted to revive his career by camping out on the front lawn of Francis Ford Coppola's home for a chance to win the role of Fredo in The Godfather, but the role went to John Cazale.
His role as a stalker in Who Killed Teddy Bear?, co-starring Juliet Prowse, did not seem to help. Although his performance was praised by critics, he found himself typecast anew, now as a deranged criminal. (He never entirely escaped this; one of his last roles was a guest spot on the 1975 TV series S.W.A.T. playing a Charles Manson-like cult leader.) He returned to the stage to produce the 1971 gay-themed Fortune and Men's Eyes (starring Don Johnson). This play gathered positive reviews in Los Angeles but was panned during its New York run, and its expanded prison rape scene was criticized as excessive and gratuitous. A small role in Escape from the Planet of the Apes (1971) as the chimpanzee Dr. Milo was Mineo's last appearance in a motion picture. In 1973, Mineo appeared as Rachman Habib, assistant to the president of a Middle Eastern country, in the episode "A Case of Immunity" on the NBC crime drama Columbo. He also appeared in two episodes of Hawaii Five-O, in 1968 and 1975.
Read more about this topic: Sal Mineo
Famous quotes containing the words career, decline, attempted and/or revival:
“Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.”
—Oscar Wilde (1854–1900)
“Considered physiologically, everything ugly weakens and saddens man. It reminds him of decay, danger, impotence; it actually reduces his strength. The effect of ugliness can be measured with a dynamometer. Whenever anyone feels depressed, he senses the proximity of something “ugly.” His feeling of power, his will to power, his courage, his pride—they decline with ugliness, they rise with beauty.”
—Friedrich Nietzsche (1844–1900)
“There is ... a class of fancies, of exquisite delicacy, which are not thoughts, and to which, as yet, I have found it absolutely impossible to adapt language.... Now, so entire is my faith in the power of words, that at times, I have believed it possible to embody even the evanescence of fancies such as I have attempted to describe.”
—Edgar Allan Poe (1809–1849)
“Mother goddesses are just as silly a notion as father gods. If a revival of the myths of these cults gives woman emotional satisfaction, it does so at the price of obscuring the real conditions of life. This is why they were invented in the first place.”
—Angela Carter (1940–1992)