Rococo "worldliness" and The Roman Catholic Church
An interesting illustration of the hostility sometimes aroused by this style (similar to that of early Modernists to High Victorian style) can be found in the critical view of Rococo taken by the 1913 Catholic Encyclopedia, especially on the unsuitable nature of Rococo for ecclesiastical contexts. due to the style's lack of simplicity, its outwardness and its frivolity, all of which tend to distract from prayer and recollection.
When the outwardness of the style was toned down it became more acceptable in religious environments and contexts. As such, Rococo decoration was able to be incorporated in sacred architecture, although, due to the style's garishness, even when religious motifs were used the results might not have always been pleasing.
In the interiors of churches the style could be tolerated, especially when its elements were small or did not command too much attention. It was more consonant with the sacristy and other not-for-worship areas than with the church proper. Rococo is incompatible with the solemnity of the Divine Office, nor is it suitable for the elements of worship such as the Tabernacle, the altar or the pulpit. In regards to larger structures and objects, Rococo might be appealing –although perhaps only because of its baroque roots that eventually become apparent–, but its fantastic overtones and features are not suitable for the large walls of most churches.
Read more about this topic: Rococo
Famous quotes containing the words catholic church, rococo, roman, catholic and/or church:
“In fact what America expects of its citizens and what the Catholic Church expects of the faithful are sometimes so different that they lead to an enormous ker-KLUNK between democracy and theology.”
—Anna Quindlen (b. 1952)
“Everything ponderous, viscous, and solemnly clumsy, all long- winded and boring types of style are developed in profuse variety among Germans—forgive me the fact that even Goethe’s prose, in its mixture of stiffness and elegance, is no exception, being a reflection of the “good old time” to which it belongs, and a reflection of German taste at a time when there still was a “German taste”Ma rococo taste in moribus et artibus.”
—Friedrich Nietzsche (1844–1900)
“Communism, my friend, is more than Marxism, just as Catholicism ... is more than the Roman Curia. There is a mystique as well as a politique.... Catholics and Communists have committed great crimes, but at least they have not stood aside, like an established society, and been indifferent. I would rather have blood on my hands than water like Pilate.”
—Graham Greene (1904–1991)
“I maintain that I have been a Negro three times—a Negro baby, a Negro girl and a Negro woman. Still, if you have received no clear cut impression of what the Negro in America is like, then you are in the same place with me. There is no The Negro here. Our lives are so diversified, internal attitudes so varied, appearances and capabilities so different, that there is no possible classification so catholic that it will cover us all, except My people! My people!”
—Zora Neale Hurston (1891–1960)
“If church prelates, past or present, had even an inkling of physiology they’d realise that what they term this inner ugliness creates and nourishes the hearing ear, the seeing eye, the active mind, and energetic body of man and woman, in the same way that dirt and dung at the roots give the plant its delicate leaves and the full-blown rose.”
—Sean O’Casey (1884–1964)