The Miles Davis Connection
In 1980, an Irving composition entitled Space was played for Wilburn's uncle, Miles Davis. Space captured Davis' interest, and led to Irving, Wilburn and their band being invited to New York for Davis' first recording sessions in several years.
The fruits of these sessions were included on the 1981 album, The Man with the Horn, the first recording Davis had released in six years. The title track, The Man With the Horn, was co-written and arranged by Irving, who also co-wrote and arranged another track titled Shout.
Returning to Chicago, Irving continued his composing, arranging, and producing; notably, working on albums for Ramsey Lewis (1981 and 1982), Randy Hall, and others.
Also, in 1982 Irving became musical director and pianist for the Kuumba Theater production of The Little Dreamer… a Nite in the Life of Bessie Smith and studied stride-piano with the legendary Little Brother Montgomery, who had composed music for the show.
Then, in 1983 Davis invited Irving to once again return to work with him as composer, arranger and co-producer.
Read more about this topic: Robert Irving III
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