In Literature
Since postmodernism, the term reprise has been borrowed from musical terminology to be used in literary criticism by Christian Moraru:
with postmodern authors or scriptors, representation-as-repetition challenges representation-as-origination. They set forth the alternate model of an esthétique du recyclage Anything but "neoclassical" or humbly imitative, driven by a complex cultural-aesthetic agenda, this model plays upon discriminate and polemical "repetition," upon a critical reprise, to borrow—or reprise, in my turn—a term from music and adapt it to underscore the strategic difference toward which postmodernism's repetitive acts are frequently geared. postmodernism's self-acknowledged reprises ever so oftern surprise us with their unexpected plot twists, media mixes, and oder deflections, inflections, and irreverent revisions, both textual and contextual, sociocultural. —Christian Moraru,From the postmodern perspective, reprise is a fundamental device in the whole history of art.
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Famous quotes containing the word literature:
“All men are lonely. But sometimes it seems to me that we Americans are the loneliest of all. Our hunger for foreign places and new ways has been with us almost like a national disease. Our literature is stamped with a quality of longing and unrest, and our writers have been great wanderers.”
—Carson McCullers (1917–1967)
“To me, literature is a calling, even a kind of salvation. It connects me with an enterprise that is over 2,000 years old. What do we have from the past? Art and thought. That’s what lasts. That’s what continues to feed people and given them an idea of something better. A better state of one’s feelings or simply the idea of a silence in one’s self that allows one to think or to feel. Which to me is the same.”
—Susan Sontag (b. 1933)