Composition
| Year | 1st | Work |
|---|---|---|
| 1953 | Michał Spisak | Serenade voor orkest |
| 1957 | Orazio Fiume | Concerto for orchestra |
| 1960 | Marcel Poot | Sinfonia burlesca |
| 1963 | Léon Jongen | |
| 1982 | John Weeks | Five Litanies for Orchestra |
| 1989 | André Laporte | Fantasia con tema reale |
| 1991 | Tristan-Patrice Challulau | Ne la città dolente |
| 1993 | Piet Swerts | Zodiac |
| 1995 | John Weeks | Requiescat |
| 1997 | Hendrik Hofmeyr | Raptus |
| 1999 | Uljas Voitto Pulkkis | Tears of Ludovico |
| 2001 | / Søren Nils Eichberg | Qilaatersorneq |
| 2003 | Ian Munro | Piano Concerto Dreams |
| 2005 | Javier Torres Maldonado | Obscuro Etiamtum Lumine |
| 2006 | Miguel Gálvez-Taroncher | La luna y la muerte |
| 2008 | Cho Eun-Hwa | Agens |
| 2009 | Jeon Minje | Target |
| 2011 | Sakai Kenji | Concerto pour violon et orchestre |
Read more about this topic: Queen Elisabeth Music Competition, Past Winners
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“Viewed freely, the English language is the accretion and growth of every dialect, race, and range of time, and is both the free and compacted composition of all.”
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“Modern Western thought will pass into history and be incorporated in it, will have its influence and its place, just as our body will pass into the composition of grass, of sheep, of cutlets, and of men. We do not like that kind of immortality, but what is to be done about it?”
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