Composition
Year | 1st | Work |
---|---|---|
1953 | Michał Spisak | Serenade voor orkest |
1957 | Orazio Fiume | Concerto for orchestra |
1960 | Marcel Poot | Sinfonia burlesca |
1963 | Léon Jongen | |
1982 | John Weeks | Five Litanies for Orchestra |
1989 | André Laporte | Fantasia con tema reale |
1991 | Tristan-Patrice Challulau | Ne la città dolente |
1993 | Piet Swerts | Zodiac |
1995 | John Weeks | Requiescat |
1997 | Hendrik Hofmeyr | Raptus |
1999 | Uljas Voitto Pulkkis | Tears of Ludovico |
2001 | / Søren Nils Eichberg | Qilaatersorneq |
2003 | Ian Munro | Piano Concerto Dreams |
2005 | Javier Torres Maldonado | Obscuro Etiamtum Lumine |
2006 | Miguel Gálvez-Taroncher | La luna y la muerte |
2008 | Cho Eun-Hwa | Agens |
2009 | Jeon Minje | Target |
2011 | Sakai Kenji | Concerto pour violon et orchestre |
Read more about this topic: Queen Elisabeth Music Competition, Past Winners
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“There is singularly nothing that makes a difference a difference in beginning and in the middle and in ending except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations and this is what makes everything different otherwise they are all alike and everybody knows it because everybody says it.”
—Gertrude Stein (18741946)
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—François, Duc De La Rochefoucauld (16131680)