Changes From Book To Film
For censorship reasons, in the film their age was increased to 16. Much of the content of the novel appears in the film, with several passages of text recounted by the film's protagonist Debbie (Nell Schofield) in a voice-over narration. The film closely follows the story and character trajectory of the novel. Some of the novel's characters are composites in the film. The tone of the novel is generally darker than that of the film, and in the novel Debbie and her best friend Sue, who join the surfer gang, are shown to be much more willing participants in activities than they are in the film. Some of the darker moments of the book have been removed or softened for the film. The film adds a comedy beach brawl between the surfers and the lifeguards not present in the novel.
Lette complained that "the film sanitised the plot by omitting central references to miscarriage and abortion. The movie depicts a culture in which gang rape is incidental, mindless violence is amusing and hard drug use is fatal, but it was unable to address the consequences of the brutal sexual economy in which the girls must exist."
Much of the obscure surfer slang of the novel was omitted from the film. The novel features some discussion about television series Number 96. One passage of the novel that mentions the title is recounted by the film's protagonist in a voice-over narration, but because the series had ended by the time of the 1981 film the series title is replaced by the generic term "television".
Read more about this topic: Puberty Blues
Famous quotes containing the words book and/or film:
“In the Corner Store, near the village center, hangs a large sign reading: After 40 years of credit business, we have closed our book of Sorrow.”
—For the State of Maine, U.S. public relief program (1935-1943)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)