Contemporary Context of "Political Theatre": Theatrics As Protest Politics (as Opposed To Politics i
All of the above refers to politics in theatre or theatrics in poliltics, but a more contemporary meaning of the term "Political Theatre" refers to theatrical acts of protest performed by surprise in public to draw attention to political issues. The practitioners most famous for the art are Abbie Hoffman and other Yippies. Bare-breasted women at Occupy protests, the 2012 campaign of Presidential candidate Vermin Supreme, and (in some cases) flash mobs are other examples.
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Famous quotes containing the words politics, protest, contemporary, political, context and/or opposed:
“The Germans—once they were called the nation of thinkers: do they still think at all? Nowadays the Germans are bored with intellect, the Germans distrust intellect, politics devours all seriousness for really intellectual things—Deutschland, Deutschland Über alles was, I fear, the end of German philosophy.”
—Friedrich Nietzsche (1844–1900)
“When we of the so-called better classes are scared as men were never scared in history at material ugliness and hardship; when we put off marriage until our house can be artistic, and quake at the thought of having a child without a bank-account and doomed to manual labor, it is time for thinking men to protest against so unmanly and irreligious a state of opinion.”
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“Generally there is no consistent evidence of significant differences in school achievement between children of working and nonworking mothers, but differences that do appear are often related to maternal satisfaction with her chosen role, and the quality of substitute care.”
—Ruth E. Zambrana, U.S. researcher, M. Hurst, and R.L. Hite. “The Working Mother in Contemporary Perspectives: A Review of Literature,” Pediatrics (December 1979)
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“Parents are led to believe that they must be consistent, that is, always respond to the same issue the same way. Consistency is good up to a point but your child also needs to understand context and subtlety . . . much of adult life is governed by context: what is appropriate in one setting is not appropriate in another; the way something is said may be more important than what is said. . . .”
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“It is in the nature of allegory, as opposed to symbolism, to beg the question of absolute reality. The allegorist avails himself of a formal correspondence between “ideas” and “things,” both of which he assumes as given; he need not inquire whether either sphere is “real” or whether, in the final analysis, reality consists in their interaction.”
—Charles, Jr. Feidelson, U.S. educator, critic. Symbolism and American Literature, ch. 1, University of Chicago Press (1953)