Some articles on part, piano, piano part:
Ballets By Geirr Tveitt - Selected Works
... The major part of Tveitt's scores are published by the Norwegian Music Information Centre, and the archives of the Society of Norwegian Composers. 1 for piano and orchestra, Op. 3 for piano and orchestra (This work exists only on a 1947 recording, with Tveitt himself playing the piano part.) Concerto No ...
... The major part of Tveitt's scores are published by the Norwegian Music Information Centre, and the archives of the Society of Norwegian Composers. 1 for piano and orchestra, Op. 3 for piano and orchestra (This work exists only on a 1947 recording, with Tveitt himself playing the piano part.) Concerto No ...
Bart Berman - Composition - Piano Parts
... Second Piano Part for Daniel Steibelt Sonatina Opus 33 in C (1981) Right Hand Piano Part for J.S ... Bach Sonatas in E Minor and E Major (1988) Second Piano Part for Clementi Six Sonatinas Opus 36 (1995) ...
... Second Piano Part for Daniel Steibelt Sonatina Opus 33 in C (1981) Right Hand Piano Part for J.S ... Bach Sonatas in E Minor and E Major (1988) Second Piano Part for Clementi Six Sonatinas Opus 36 (1995) ...
Mozart Piano Concertos - Performance Considerations - Piano - Continuo Role
... although it is not absolutely certain, that the piano would have retained its ancient keyboard basso continuo role in the orchestral tuttis of the concertos, and possibly in other places as well ... First, the piano part is placed in his autographs at the bottom of the score under the basses, rather than in the middle as in modern scores ... Second, he wrote "CoB" (col Basso - with the basses) in the lower stave of the piano part during tuttis, implying that the left hand should reproduce the bass part ...
... although it is not absolutely certain, that the piano would have retained its ancient keyboard basso continuo role in the orchestral tuttis of the concertos, and possibly in other places as well ... First, the piano part is placed in his autographs at the bottom of the score under the basses, rather than in the middle as in modern scores ... Second, he wrote "CoB" (col Basso - with the basses) in the lower stave of the piano part during tuttis, implying that the left hand should reproduce the bass part ...
Famous quotes containing the words part and/or piano:
“I was happy there,
part Venetian vase,
part Swiss watch, part Indian head.”
—Anne Sexton (1928–1974)
“I will tell you what Jeanne was like. She was like a piano in a country where everyone has had their hands cut off.”
—Angela Carter (1940–1992)
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