Career
After contributing spot illustrations to comic fanzines such as Bemusing and The Panelologist in the mid 70's, Elliott decided to try his hand at publishing his own fanzine and, with the help of Ian Wieczorek and Paul Chester released Blitzine, followed by Delapsus Resurgam. In 1977 Elliott, with co-editors John Matthews (a fellow comic artist) and Ian Wieczorek, published the comic fanzine, Elipse. Elipse ran for three issues and printed early strips by Kev F Sutherland, Mike Matthews, and Dave Hine as well as Elliott himself. Elipse was a unique fanzine at the time, featuring solely comic strips.
In the early 1980s Elliott became re-acquainted with an old comic collecting friend, Paul Gravett, who was working on Pssst! magazine. Unable to get his worked published in Pssst!, Elliott decided to return to self-publishing and, with Ian Wieczorek again, released the Fast Fiction comic, which took its name from the Fast Fiction comics distribution service.
One of the artists Phil chose to publish in Fast Fiction was Eddie Campbell. Elliott collaborated with Campbell between 1984 and 1986 on various comic strips that ran in the music paper Sounds and drew the first issue of Campbell's Lucifer. Elliott was also responsible for colouring many of the covers of Campbell's comics for Harrier Comics.
Elliott also formed a strong creative partnership with Glenn Dakin, which resulted in comics such as Greenhouse Warriors, Mr Night and The Man from Cancer.
Elliott was a regular contributor to the influential UK comic magazine Escape, and in 1985 Escape published his Doc Chaos comic. Doc Chaos was written by Dave Thorpe and . Www.lawrencegray.net Lawrence Gray is a film producer and director in Hong Kong.
In 1985 Elliott began drawing The Suttons for his local newspaper, The Maidstone Star. This comic strip ran for three years.
After handing over the editorship of Fast Fiction to Ed Pinsent, Elliott began editing !GAG! for Harrier Comics. Harrier Comics also published Elliott and Paul Duncan's four-issue Second City comic as well as two collections of Elliott's A Tale from Gimbley stories, Some Tales From Gimbley and More Tales From Gimbley.
Elliott has worked in some capacity for most of the major comic publishers in the US and UK. His comic Blite was published by Fantagraphics. He was an artist on The Real Ghostbusters comic for Marvel UK and was the colourist on the first seven issues of Paul Grist's superhero comic book, Jack Staff. Other work has appeared in Punch, Knockabout, Fox Comics and Power Rangers. Elliott has recently coloured Doctor Who comics for IDW Publishing.
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“Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.”
—Oscar Wilde (18541900)
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“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
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