Work
Art critics often see parallels to Marcel Duchamp, Dieter Roth or Jean Tinguely in Fischli and Weiss' parody bearing work For their art, the duo made use of a large bandwidth of artistic forms of expression: film and photography, art books, sculptures made out of different materials, and multimedia installations. They adapted objects and situations from everyday life and placed them in an artistic context—often using humour and irony. Wurstserie (1979) was Fischli and Weiss’s first collaborative project, setting the tone for their future work. In the series, ordinary sausages and slices of sausages became the protagonists of scenarios, alluding to situations such as cars in a traffic accident in an urban setting, layers of carpets and other situations. By the end of the 1980s, the duo had expanded their repertoire to embrace an iconography of the incidental, creating deadpan photographs of kitsch tourist attractions and airports around the world. For their contribution to the 1995 Venice Biennale, at which they represented Switzerland, Fischli & Weiss exhibited 96 hours of video on 12 monitors that documented what they called "concentrated daydreaming"—real-time glimpses into daily life in Zurich: a mountain sunrise, a restaurant chef in his kitchen, sanitation workers, a bicycle race, and so on. For the Skulptur Projekte Münster (1997), Fischli and Weiss planted a flower and vegetable garden conceived with an ecological point of view and documented its periodic growth through photographs.
Read more about this topic: Peter Fischli & David Weiss
Famous quotes containing the word work:
“Meanwhile, if the fear of falling into error sets up a mistrust of Science, which in the absence of such scruples gets on with the work itself, and actually cognizes something, it is hard to see why we should not turn round and mistrust this very mistrust.... What calls itself fear of error reveals itself rather as fear of the truth.”
—Georg Wilhelm Friedrich Hegel (1770–1831)
“The woman and the genius do not work. Up to now, woman has been mankind’s supreme luxury. In all those moments when we do our best, we do not work. Work is merely a means to these moments.”
—Friedrich Nietzsche (1844–1900)
“Writing a book I have found to be like building a house. A man forms a plan, and collects materials. He thinks he has enough to raise a large and stately edifice; but after he has arranged, compacted and polished, his work turns out to be a very small performance. The authour however like the builder, knows how much labour his work has cost him; and therefore estimates it at a higher rate than other people think it deserves,”
—James Boswell (1740–1795)