History
Advances in producing permanent press fabrics involved a series of agents that crosslink the cellulose-based fibers that comprise most clothing. Initial agents included formaldehyde. Starting in the 1940s a series of urea-formaldehyde derivatives were introduced. Technical issues overcome included yellowing, odor, and the tendency of some agents to accelerate the degradation of fabrics by bleaches. The technology advanced especially rapidly in the early 1990s.
In older washing machines, the permanent press setting sprays moisture during the spin cycle to maintain the moisture content of the permanent press fabrics above a certain specified limit to reduce wrinkling.
Most older clothes dryers feature an automatic permanent press setting, which puts clothes through a cool-down cycle at the end of the normal heated drying cycle. Modern dryers tend to include this as a standard feature.
Read more about this topic: Permanent Press
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“It is the true office of history to represent the events themselves, together with the counsels, and to leave the observations and conclusions thereupon to the liberty and faculty of every man’s judgement.”
—Francis Bacon (1561–1626)
“When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand—a center of gravity.”
—Adrienne Rich (b. 1929)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)