Films and Computer & Video Game Music
Romero has composed over 70 original soundtrack film and computer game scores, including the orchestral/operatic/choral scores for the New World Computing/Ubisoft computer game series, Heroes of Might and Magic. So popular are the scores that Romero is obliged to compose his first symphony based on the best musical themes from his "Heroes" soundtrack scores. His Symphony No. 1, entitled "Heroes" will be completed in 2008.
Romero is also the composer of the Sony Online Entertainment fantasy-themed massively multiplayer online role-playing game (MMORPG), EverQuest. He won the Broadcast Music Incorporated(BMI)-Jerry Goldsmith Film Composers Award as well as receiving two National Endowment for the Arts (NEA) grants. Two of his original scores for the Heroes of Might and Magic series have been listed in GameSpot Magazine's All-time top ten computer game scores. The CD soundtrack collection from the complete Heroes series was released in January 2008 by Ubisoft.
Romero will be featured in a new Sundance Channel Documentary film, "The Gift", a feature-length documentary about classical musicians who were former child prodigies.
Read more about this topic: Paul Romero
Famous quotes containing the words films, computer, video, game and/or music:
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“The analogy between the mind and a computer fails for many reasons. The brain is constructed by principles that assure diversity and degeneracy. Unlike a computer, it has no replicative memory. It is historical and value driven. It forms categories by internal criteria and by constraints acting at many scales, not by means of a syntactically constructed program. The world with which the brain interacts is not unequivocally made up of classical categories.”
—Gerald M. Edelman (b. 1928)
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)
“The indispensable ingredient of any game worth its salt is that the children themselves play it and, if not its sole authors, share in its creation. Watching TV’s ersatz battles is not the same thing at all. Children act out their emotions, they don’t talk them out and they don’t watch them out. Their imagination and their muscles need each other.”
—Leontine Young (20th century)
“Nearly all the bands are mustered out of service; ours therefore is a novelty. We marched a few miles yesterday on a road where troops have not before marched. It was funny to see the children. I saw our boys running after the music in many a group of clean, bright-looking, excited little fellows.”
—Rutherford Birchard Hayes (1822–1893)