Novels
Quarrington's novels are characterized by their humour (King Leary received the Stephen Leacock Award for Humour in 1988) although they address serious subjects. His protagonists are largely emotionally crippled antiheroes who have withdrawn from society; typically, in Quarrington's work, an agent of some sort — a young woman in Whale Music, ghosts in King Leary, a hurricane in Galveston — challenges the protagonist's carefully ordered life and draws them back into the fold of humanity.
His novel The Ravine was published in March 2008. At the time of his death, Quarrington had completed a short film adaptation of the work (Pavane, 2008) and was collaborating on a television series adaptation of that novel, which he claimed to be semi-autobiographical. "It's about a writer who squanders his talents in television, drinks too much, screws around and ruins his marriage," Quarrington has said. "The reason it's 'semi-autobiographical' is the guy's name is 'Phil.'"
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Famous quotes containing the word novels:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“The point is, that the function of the novel seems to be changing; it has become an outpost of journalism; we read novels for information about areas of life we don’t know—Nigeria, South Africa, the American army, a coal-mining village, coteries in Chelsea, etc. We read to find out what is going on. One novel in five hundred or a thousand has the quality a novel should have to make it a novel—the quality of philosophy.”
—Doris Lessing (b. 1919)
“But then in novels the most indifferent hero comes out right at last. Some god comes out of a theatrical cloud and leaves the poor devil ten thousand-a-year and a title.”
—Anthony Trollope (1815–1882)