Description
The painted turtle's shell is 10–25 cm (4–10 in) long, oval, smooth, and flat-bottomed. The color of the top shell (carapace) varies from olive to black, allowing the turtle to blend in with its surroundings. The bottom shell (plastron) is yellow, sometimes red, sometimes with dark markings in the center. Similar to the top shell, the turtle's skin is olive to black, but with red and yellow stripes on its neck, legs, and tail. As with other pond turtles, such as the bog turtle, the painted turtle's feet are webbed to aid swimming.
The head of the turtle is distinctive. The face has only yellow stripes, with a large yellow spot and streak behind each eye, and on the chin two wide yellow stripes that meet at the tip of the jaw. The turtle's upper jaw is shaped into an inverted "V" (philtrum), with a downward-facing, tooth-like projection on each side.
The hatchling has a proportionally larger head, eyes, and tail, and a more circular shell than the adult. The adult female is generally longer than the male, 10–25 cm (4–10 in) versus 7–15 cm (3–6 in). For a given length, the female has a higher (more rounded, less flat) top shell. The female weighs around 500 g (18 oz) on average, against the males' average adult weight of roughly 300 g (11 oz). The female's greater body volume supports her egg-production. The male has longer foreclaws and a longer, thicker tail, with the anus (cloaca) located further out on the tail.
Read more about this topic: Painted Turtle
Famous quotes containing the word description:
“The next Augustan age will dawn on the other side of the Atlantic. There will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in time, a Virgil at Mexico, and a Newton at Peru. At last, some curious traveller from Lima will visit England and give a description of the ruins of St. Paul’s, like the editions of Balbec and Palmyra.”
—Horace Walpole (1717–1797)
“An intentional object is given by a word or a phrase which gives a description under which.”
—Gertrude Elizabeth Margaret Anscombe (b. 1919)
“The Sage of Toronto ... spent several decades marveling at the numerous freedoms created by a “global village” instantly and effortlessly accessible to all. Villages, unlike towns, have always been ruled by conformism, isolation, petty surveillance, boredom and repetitive malicious gossip about the same families. Which is a precise enough description of the global spectacle’s present vulgarity.”
—Guy Debord (b. 1931)