Works
O. G. Mason was prominent in his field, a staff contributor to The Photographic Times weekly and The photographic instructor for the professional and amateur series, both publications put out by the press of Scovill Manufacturing Co. in the late 19th century. He served for a time as president of the American Institute, Photographic Section and as both secretary and treasurer, passim, for the American Microscopical Society. Mason consulted for Lewis Morris Rutherfurd on astronomic and spectral photography, and maintained a private office at 333 E. 26th Street for his telescopic and freelance projects. O. G. Mason is best remembered, however, for his clinical medical photography accomplished during his forty plus years at Bellevue Hospital. He was frequently called upon to provide illustrations for monographs published by leading physicians and surgeons associated with the hospital and its medical college, including Lewis Albert Sayre, John Call Dalton, and Francis Delafield. His most notable photographs appeared in the great photographic dermatology atlases written by George Henry Fox.
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Famous quotes containing the word works:
“Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
—Rebecca West (1892–1983)
“Any balance we achieve between adult and parental identities, between children’s and our own needs, works only for a time—because, as one father says, “It’s a new ball game just about every week.” So we are always in the process of learning to be parents.”
—Joan Sheingold Ditzion, Dennie, and Palmer Wolf. Ourselves and Our Children, by Boston Women’s Health Book Collective, ch. 2 (1978)
“Again we mistook a little rocky islet seen through the “drisk,” with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.”
—Henry David Thoreau (1817–1862)