Critical Reception
The press generally praises the company for its innovative, irreverent small-scale productions. Musical Opinion wrote, "Who needs grand opera when you can have Opera della Luna? The scale of their performances ... is so small as to be minuscule, but they are so skilfully conceived and realised as to be totally engaging. In their way, they are every bit as rewarding as far more ambitious, not to say pretentious stagings. Director Jeff Clarke can be relied upon to provide a whole new perspective on a piece through his brilliant translations". A review of the company's 2009 adaptation of The Sorcerer in Bucks Free Press stated, "Opera Della Luna is innovative, imaginative and inventive. Its grasp on musical theatre is astounding and director Jeff Clarke should be applauded for bringing a new spirit of the age to G&S." Opera Now magazine wrote, in its review of the company's 2009 production of Die Fledermaus:
Jeff Clarke’s Rocky Horror version of The Bat ... turned out to be rather brilliant, not to mention hilarious.... As is his wont, Clarke, panjandrum of Opera della Luna and its nifty pianist too, had not only translated but rewritten the show so as to be actually funny.... Clarke's hallmark is a cheery vulgarity underpinned with a subtle but distinct moral eye.... But this was all very good-natured.... This non-preachy evening was a success, in the end, mostly because of an inspired cast.... Clarke's little band moved things along at a terrific lick. The most enjoyable evening for ages.
Gilbert and Sullivan expert Ian Bradley comments, "Opera della Luna has achieved the rare feat of bringing in a new audience for G&S without alienating the old one." Typical of reactions to the company's many appearances at the International Gilbert and Sullivan Festival in Buxton is this Manchester Evening News review of the company's H.M.S. Pinafore in 2006:
festival proper opened with this inventive and entertaining production by M.E.N. Award-winning Opera della Luna. It's a cleverly pared-down version to suit the mere eight-strong company, plus (and how haunting to hear Dear Little Buttercup as a violin solo by Rachel Davies). Jeff Clarke directs from the keyboard.... The cast is led by the irrepressible Simon Butteriss as Sir Joseph Porter. He gestures, minces and trips around to great comic effect, splendidly aided and abetted by the others... Ian Belsey makes an imposing and funny Captain.... Between them, they entertain hugely."
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