Deliberate Obscurity
In the second sense, “obscurantism” denotes making knowledge abstrusely difficult to grasp. In the 19th and 20th centuries "obscurantism" became a polemical term for accusing an author of deliberately writing obscurely, to hide his or her intellectual vacuousness. Philosophers who are neither empiricists nor positivists often are accused of obscurantism in describing the abstract concepts of their disciplines. For philosophic reasons, these authors might modify, or reject, verifiability, falsifiability, or logical non-contradiction. From said perspective, obscure (clouded, vague, abstruse) writing does not necessarily signal that the writer has a poor grasp of the subject, because unintelligible writing sometimes is purposeful and philosophically considered.
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Famous quotes containing the words deliberate and/or obscurity:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“That hour in the life of a man when first the help of humanity fails him, and he learns that in his obscurity and indigence humanity holds him a dog and no man: that hour is a hard one, but not the hardest. There is still another hour which follows, when he learns that in his infinite comparative minuteness and abjectness, the gods do likewise despise him, and own him not of their clan.”
—Herman Melville (1819–1891)