'Novelette' in Music
The word was used by the composer Robert Schumann as a title for some piano pieces, a choice that reflected his literary background and interests. The music in question (op. 21, and op. 99 no. 9) is episodic, however, and does not especially resemble a narrative. He was followed by Niels Gade, Theodor Kirchner, Stephen Heller and much later by Poulenc, Lutosławski ("Novelette for Orchestra"), Chaminade, Tcherepnin, and George Gershwin ("Novelette in Fourths").
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“We often love to think now of the life of men on beaches,—at least in midsummer, when the weather is serene; their sunny lives on the sand, amid the beach-grass and bayberries, their companion a cow, their wealth a jag of driftwood or a few beach plums, and their music the surf and the peep of the beech-bird.”
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