'Novelette' in Music
The word was used by the composer Robert Schumann as a title for some piano pieces, a choice that reflected his literary background and interests. The music in question (op. 21, and op. 99 no. 9) is episodic, however, and does not especially resemble a narrative. He was followed by Niels Gade, Theodor Kirchner, Stephen Heller and much later by Poulenc, Lutosławski ("Novelette for Orchestra"), Chaminade, Tcherepnin, and George Gershwin ("Novelette in Fourths").
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“I cannot say what poetry is; I know that our sufferings and our concentrated joy, our states of plunging far and dark and turning to come back to the world—so that the moment of intense turning seems still and universal—all are here, in a music like the music of our time, like the hero and like the anonymous forgotten; and there is an exchange here in which our lives are met, and created.”
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