Nick Cotton - Creation

Creation

Nick Cotton was the twenty-fourth character invented by the creators of EastEnders, Tony Holland and Julia Smith. Nick was not part of Holland's and Smith's original vision for EastEnders, and his creation came about as an afterthought. The first episode of the series was to include the death of an elderly resident, Reg Cox, who had been brutally attacked in his home, and left to die. During the first writers' meeting, where the writers were introduced to the intended characters and early scripts, each independently wanted to know which character had killed Reg. However, Holland and Smith had never intended for the murderer to be unveiled. They had no idea who had killed Reg Cox, and they had felt that "the who" was not important. The fact that he was dead following an attack was the important issue, and Reg's murder was not intended to be solved, it was only there to tell the audience, from the outset, that Walford was a rough and tough place. The writers opposed this. They accused Holland of throwing away a great opportunity and suggested that a murder hunt would provide an array of dramatic possibilities that would captivate the audience. After deciding that all of the twenty-three original characters were incapable of committing the crime, Holland decided to invent an entirely new character, in the form of Nick Cotton. The original character outline for Nick read: "His image is exclusively macho. Vanishes for weeks on end. Mum doesn't ask questions... Unlike Den, Nick is a real crook. Worms his way into people's confidentiality and homes. From then on, lives on his wits. Waiting for the moment to strike; to nick the cash and disappear...Usually chooses his victims who, for one reason or another, are frightened to report him...Nick's a heroin addict." As Nick was only intended to be a semi-regular character, Julia Smith was not involved in his casting and the actor John Altman was chosen by the directors.

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Famous quotes containing the word creation:

    There have been heroes for whom this world seemed expressly prepared, as if creation had at last succeeded; whose daily life was the stuff of which our dreams are made, and whose presence enhanced the beauty and ampleness of Nature herself.
    Henry David Thoreau (1817–1862)

    As the truest society approaches always nearer to solitude, so the most excellent speech finally falls into Silence. Silence is audible to all men, at all times, and in all places. She is when we hear inwardly, sound when we hear outwardly. Creation has not displaced her, but is her visible framework and foil. All sounds are her servants, and purveyors, proclaiming not only that their mistress is, but is a rare mistress, and earnestly to be sought after.
    Henry David Thoreau (1817–1862)

    For me, the principal fact of life is the free mind. For good and evil, man is a free creative spirit. This produces the very queer world we live in, a world in continuous creation and therefore continuous change and insecurity. A perpetually new and lively world, but a dangerous one, full of tragedy and injustice. A world in everlasting conflict between the new idea and the old allegiances, new arts and new inventions against the old establishment.
    Joyce Cary (1888–1957)