Editorial Style
Despite having a tabloid format, Newsday is not known for being sensationalistic, as are other local daily tabloids, such as the New York Daily News and the New York Post.
In 2004, the alternative weekly newspaper Long Island Press (which is not related to the defunct daily of the same name) wrote that Newsday has used its clout to influence local politics in Nassau and Suffolk Counties.
Bill Moyers briefly served as publisher. During the tenure of publisher Robert M. Johnson in the 1980s, Newsday made a major push into New York City. The paper's roster of columnists and critics has included Jimmy Breslin, Barbara Garson, Normand Poirier, Murray Kempton, Gail Collins, Pete Hamill, Sydney Schanberg, Robert Reno (died 2012), Jim Dwyer, sportswriter Mike Lupica, music critic Tim Page, and television critic Marvin Kitman. The paper featured both advice columnists Ann Landers and Dear Abby for several years. Its features section has included, among others, television reporters Verne Gay and Diane Werts, reality TV columnist Frank Lovece, and film critics Rafer Guzman and Jan Stuart. Newsday carries the syndicated columnist Froma Harrop. Pulitzer Prize winner Walt Handelsman's editorial political cartoons animation are a nationally syndicated feature of Newsday. In the 1980s, a new design director, Robert Eisner, guided the transition into digital design and color printing.
Newsday created and sponsored a "Long Island at the Crossroads" advisory board in 1978, to recommend regional goals, supervise local government, and liaison with state and Federal officials. It lasted approximately a decade.
On March 21, 2011, Newsday remade its front page, scrapping the masthead and font used since the 1960s.
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Famous quotes containing the words editorial and/or style:
“I have been in the editorial business going on fourteen years, and it is the first time I ever heard of a man’s having to know anything in order to edit a newspaper.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“We are often struck by the force and precision of style to which hard-working men, unpracticed in writing, easily attain when required to make the effort. As if plainness and vigor and sincerity, the ornaments of style, were better learned on the farm and in the workshop than in the schools. The sentences written by such rude hands are nervous and tough, like hardened thongs, the sinews of the deer, or the roots of the pine.”
—Henry David Thoreau (1817–1862)