Music Of The American Civil War
During the American Civil War, music played a big part on both sides of the conflict: Union and Confederate. On the American Civil War battlefield, different instruments including bugles, drums, and fifes were played to issue marching orders or sometimes simply to boost the morale of one's fellow soldiers. Singing was also employed as a recreational activity, but as a release from the inevitable tensions that come with fighting in a war, particularly a war in which the issue of freedom of a race is to be decided. In camp, music was a diversion away from the bloodshed, helping the soldiers deal with homesickness and boredom. Soldiers of both sides often engaged in recreation with musical instruments, and when the opposing armies were near each other, sometimes the bands from both sides of the conflict played against each other on the night before a battle.
Each side had its particular favorite tunes, while some music was enjoyed by Northerners and Southerners alike, as exemplified by United States President Abraham Lincoln's love of Dixie, the unofficial anthem of the Confederacy. To this day, many of the songs are sung when a patriotic piece is required. The war's music also inspired music artists such as Lynyrd Skynyrd and Elvis Presley.
Read more about Music Of The American Civil War: Development of American Music, Regulations, On The Battlefield, In Camp, Homefront, Different Versions, Legacy, Media, See Also
Famous quotes containing the words civil war, music of, music, american, civil and/or war:
“To the cry of follow Mormons and prairie dogs and find good land, Civil War veterans flocked into Nebraska, joining a vast stampede of unemployed workers, tenant farmers, and European immigrants.”
—For the State of Nebraska, U.S. public relief program (1935-1943)
“My love shall hear the music of my hounds.”
—William Shakespeare (15641616)
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)
“The white American man makes the white American woman maybe not superfluous but just a little kind of decoration. Not really important to turning around the wheels of the state. Well the black American woman has never been able to feel that way. No black American man at any time in our history in the United States has been able to feel that he didnt need that black woman right against him, shoulder to shoulderin that cotton field, on the auction block, in the ghetto, wherever.”
—Maya Angelou (b. 1928)
“During the Civil War the area became a refuge for service- dodging Texans, and gangs of bushwhackers, as they were called, hid in its fastnesses. Conscript details of the Confederate Army hunted the fugitives and occasional skirmishes resulted.”
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“The war was a mirror; it reflected mans every virtue and every vice, and if you looked closely, like an artist at his drawings, it showed up both with unusual clarity.”
—George Grosz (18931959)