Racist Music
Not to be confused with Race music.Racist music is music associated with and promoting neo-Nazism and white supremacy ideologies. Although musicologists point out that many, if not most early cultures had songs to promote themselves and denigrate any perceived enemies, the origins of Racist music is tied to the early 1970s. By 2001 there were many music genres with 'white power rock' the most commonly represented band type, followed by National Socialist black metal. 'Racist country music' is mainly an American phenomena while Germany, Great Britain, and Sweden have higher concentration of white power bands. Other music genres include 'fascist experimental music' and 'racist folk music'. Contemporary white-supremisist groups include "subcultural factions that are largely organized around the promotion and distribution of racist music." According to the Human Rights and Equal Opportunity Commission "racist music is principally derived from the far-right skinhead movement and, through the Internet, this music has become perhaps the most important tool of the international neo-Nazi movement to gain revenue and new recruits." The news documentary VH1 News Special: Inside Hate Rock (2002) noted that Racist music (also called 'Hate music' and 'Skinhead rock') is "a breeding ground for home-grown terrorists." In 2004 a neo-Nazi record company launched "Project Schoolyard" to distribute free CDs of the music into the hands of up to 100,000 teenagers throughout the U.S., their website stated, "We just don't entertain racist kids … We create them." Brian Houghton, of the National Memorial Institute for the Prevention of Terrorism, said that Racist music was a great recruiting tool, "Through music ... to grab these kids, teach them to be racists and hook them for life."
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Famous quotes containing the words racist and/or music:
“... white people, like black ones, are victims of a racist society. They are products of their time and place.”
—Shirley Chisholm (b. 1924)
“As I define it, rock & roll is dead. The attitude isnt dead, but the music is no longer vital. It doesnt have the same meaning. The attitude, though, is still very much aliveand it still informs other kinds of music.”
—David Byrne (b. 1952)