The music of Israel is a combination of Jewish and non-Jewish music traditions that have come together over the course of a century to create a distinctive musical culture. For more than 100 years, musicians have sought original stylistic elements that would define the emerging national spirit. In addition to creating an Israeli style and sound, Israel's musicians have made significant contributions to classical, jazz, pop rock and other international music genres. Since the 1970s, there has been a flowering of musical diversity, with Israeli rock, folk and jazz musicians creating and performing extensively, both locally and abroad. Many of the world's top classical musicians are Israelis or Israeli expatriates. The works of Israeli classical composers have been performed by leading orchestras worldwide.
Read more about Music Of Israel: National Identity, Early History, Israel Philharmonic Orchestra, Music and The Military, 1967 As A Turning Point, Evolution of The Music Industry, Song Contests, Internationally Acclaimed Israeli Singers, Music Education, Music and Politics
Famous quotes containing the words music of, music and/or israel:
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“Words move, music moves
Only in time; but that which is only living
Can only die. Words, after speech, reach
Into the silence.”
—T.S. (Thomas Stearns)
“Let Israel hope in the Lord, for with the Lord there is mercy,
And with him is plenteous redemption. And he shall redeem Israel from all his iniquities.”
—Bible: Hebrew Psalm CXXX (l. CXXX, 7–8)