Montana State Capitol - Art

Art

The most notable feature inside the center of the Capitol building is the massive rotunda, with four circular paintings surrounding it. These paintings, were painted for the Capitol opening in 1902 by the firm of F. Pedretti's Sons, depict four important archetypes of people of Montana's early history: a native American (intended to be of Chief Charlo), an explorer and fur trapper (Jim Bridger), a gold miner (Henry Finnis Edgar, one of the discoverers of gold at Alder Gulch), and a cowboy (unidentified, but said to be inspired by the works of C.M. Russell). The Pendretti brothers provided additional commissioned artwork in the Senate and Old Supreme Court Chambers.

The western arch of the rotunda features the semi-elliptical painting "Driving The Golden Spike", painted by Amédée Joullin. The former State Law Library, now a set of committee rooms, features ten Montana landscapes created by Ralph E. DeCamp. The House of Representatives Lobby features six scenes depicting significant events in early Montana History by Edgar S. Paxson.

The most significant piece of art in the Capitol is by Montana's famous Western artist Charles M. Russell. The 1912 painting, titled Lewis and Clark Meeting the Flathead Indians at Ross' Hole, is 25 feet (7.6 m) long and twelve feet high. It depicts the explorers Lewis and Clark meeting Montana's Bitterroot Salish people upon their return across the Bitterroot Mountains from the Pacific Ocean. It is now displayed above the Speaker's chair in the House of Representatives' chamber.

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Famous quotes containing the word art:

    “We should always remember that the work of art is invariably the creation of a new world, so that the first thing we should do is to study that new world as closely as possible, approaching it as something brand new, having no obvious connection with the worlds we already know. When this new world has been closely studied, then and only then let us examine its links with other worlds, other branches of knowledge.”
    —Vladimir Nabokov (1899–1977)

    “Just as all thought, and primarily that of non-signification, signifies something, so there is no art that has no signification.”
    —Albert Camus (1913–1960)

    “Blind mouths! that scarce themselves know how to hold
    A sheephook, or have learn’d ought else the least
    That to the faithful herdman’s art belongs!
    What recks it them? What need they? They are sped.
    And when they list their lean and flashy songs
    Grate on their scrannel pipes of wretched straw,
    The hungry sheep look up, and are not fed,”
    —John Milton (1608–1674)