Modern Western Square Dance - Dancing Modern Western Square Dance

Dancing Modern Western Square Dance

Each dance round, called a tip, typically consists of two dances. The first dance part is known as a hash call, which is characterized by its unstructured and often puzzling dance choreography. The music is usually instrumental and the calls are typically not sung, but rather rhythmically spoken. The second dance part of a square dance tip is a singing call. The dance instructions are sung as well as the lyrics during the long duration calls. The music are often popular songs and the calls are timed to fit. During a singing call the female dancers temporarily switch partners in a counter-clockwise order around the square until they return to their original partners. The caller restores the original order of the square both at the end of the hash and the singing call. The duration time of a tip may vary, but is usually between ten and twenty minutes. Between tips, dancers are generally encouraged to find other dance partners and form new squares for the next tip.

Dancing well requires more than attendance at class, it requires practice. The more often the dancer can train the better their skills become. Clubs generally provide their students the opportunity to dance outside of the class situation. Clubs commonly hold "club nights", which are informal dance evenings for club members. These often allow those learning a new level to dance at their class level, and often with more experienced dancers. Clubs also commonly hold special dances, which are often open to members of other clubs.

  • Weekend dances
  • Fly-ins
  • Conventions and festivals
  • Hoedown

Read more about this topic:  Modern Western Square Dance

Famous quotes containing the words square dance, dancing, modern, western, square and/or dance:

    “The square dance fiddler’s first concern is to carry a tune, but he must carry it loud enough to be heard over the noise of stamping feet, the cries of the “caller,” and the shouts of the dancers. When he fiddles, he “fiddles all over”; feet, hands, knees, head, and eyes are all busy.”
    —State of Oklahoma, U.S. public relief program (1935-1943)

    “Carmen: You’re cute. I like you.
    Philip Marlowe: What you see is nothing. I got a Balinese dancing girl tattooed across my chest.”
    —William Faulkner (1897–1962)

    “The critical method which denies literary modernity would appear—and even, in certain respects, would be—the most modern of critical movements.”
    —Paul Deman (1919–1983)

    “It is so manifestly incompatible with those precautions for our peace and safety, which all the great powers habitually observe and enforce in matters affecting them, that a shorter water way between our eastern and western seaboards should be dominated by any European government, that we may confidently expect that such a purpose will not be entertained by any friendly power.”
    —Benjamin Harrison (1833–1901)

    “A man who is good enough to shed his blood for his country is good enough to be given a square deal afterwards. More than that no man is entitled to, and less than that no man shall have.”
    —Theodore Roosevelt (1858–1919)

    “Navajo men and boys have an odd way of showing their friendship. When two young men meet at the trading post, a “Sing”, or a dance they greet each other, inquire about the health of their respective families, then stand silently some ten or fifteen minutes while one feels the other’s arms, shoulders, and chest.”
    —Administration in the State of Ariz, U.S. public relief program (1935-1943)