Dancing Modern Western Square Dance
Each dance round, called a tip, typically consists of two dances. The first dance part is known as a hash call, which is characterized by its unstructured and often puzzling dance choreography. The music is usually instrumental and the calls are typically not sung, but rather rhythmically spoken. The second dance part of a square dance tip is a singing call. The dance instructions are sung as well as the lyrics during the long duration calls. The music are often popular songs and the calls are timed to fit. During a singing call the female dancers temporarily switch partners in a counter-clockwise order around the square until they return to their original partners. The caller restores the original order of the square both at the end of the hash and the singing call. The duration time of a tip may vary, but is usually between ten and twenty minutes. Between tips, dancers are generally encouraged to find other dance partners and form new squares for the next tip.
Dancing well requires more than attendance at class, it requires practice. The more often the dancer can train the better their skills become. Clubs generally provide their students the opportunity to dance outside of the class situation. Clubs commonly hold "club nights", which are informal dance evenings for club members. These often allow those learning a new level to dance at their class level, and often with more experienced dancers. Clubs also commonly hold special dances, which are often open to members of other clubs.
- Weekend dances
- Fly-ins
- Conventions and festivals
- Hoedown
Read more about this topic: Modern Western Square Dance
Famous quotes containing the words square dance, dancing, modern, western, square and/or dance:
“The square dance fiddlers first concern is to carry a tune, but he must carry it loud enough to be heard over the noise of stamping feet, the cries of the caller, and the shouts of the dancers. When he fiddles, he fiddles all over; feet, hands, knees, head, and eyes are all busy.”
—State of Oklahoma, U.S. public relief program (1935-1943)
“Come, let me sing into your ear;
Those dancing days are gone,
All that silk and satin gear;
Crouch upon a stone,
Wrapping that foul body up
In as foul a rag....”
—William Butler Yeats (18651939)
“The critical method which denies literary modernity would appearand even, in certain respects, would bethe most modern of critical movements.”
—Paul Deman (19191983)
“It is said that some Western steamers can run on a heavy dew, whence we can imagine what a canoe may do.”
—Henry David Thoreau (18171862)
“The square dance fiddlers first concern is to carry a tune, but he must carry it loud enough to be heard over the noise of stamping feet, the cries of the caller, and the shouts of the dancers. When he fiddles, he fiddles all over; feet, hands, knees, head, and eyes are all busy.”
—State of Oklahoma, U.S. public relief program (1935-1943)
“I can get dressed earlier in the evening with every intention of going to a dance at midnight, but somehow after the theatre the thing to do seems to be either to go to bed or sit around somewhere. It doesnt seem possible that somewhere people can be expecting you at an hour like that.”
—Robert Benchley (18891945)