Mermaid Series - The Best Plays of Ben Jonson

The Best Plays of Ben Jonson

Notes by Brinsley Nicholson and C. H. Herford, three volumes

(Volume I) Every Man in His Humour - Every Man out of His Humour - The Poetaster

(Volume II) Bartholomew Fair - Cynthia's Revels; or, The Fountain of Self-Love - Sejanus His Fall

(Volume III) Volpone; or, The Fox - Epicœne; or, The Silent Woman - The Alchemist

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    Though beautie be the marke of praise,
    And yours of whom I sing be such
    As not the world can praise too much,
    Yet is’t your vertue now I raise.
    Ben Jonson (1572–1637)

    Buy good books, and read them; the best books are the commonest, and the last editions are always the best, if the editors are not blockheads.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)

    The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.
    Henry Brooks Adams (1838–1918)

    A new disease? I know not, new or old,
    But it may well be called poor mortals’ plague:
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    Till not a thought, or motion, in the mind,
    Be free from the black poison of suspect.
    —Ben Jonson (c. 1572–1637)