Rests
Just like the notes, the rest symbols already had the same shapes that were later to develop into the modern symbols (with the smaller values being successively introduced in the course of the period of Mensural notation). Unlike the notes themselves, rests had a fixed, invariable duration and could not be perfected, imperfected or alterated; however, they could in turn induce imperfection on a neighbouring larger note. For longa rests, there were two separate forms for the perfect (triplex) and for the imperfect (duplex) longa. As a consequence of their invariant duration, a sequence of rests could be used as an indication of the prevailing meter of a composition (in the absence of modern bar notation). This is often found at the beginning of the tenor voice of a composition.
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Famous quotes containing the word rests:
“I have given the best of myself and the best work of my life to help obtain political freedom for women, knowing that upon this rests the hope not only of the freedom of men but of the onward civilization of the world.”
—Mary S. Anthony (1827–1907)
“The first farmer was the first man, and all historic nobility rests on possession and use of land.”
—Ralph Waldo Emerson (1803–1882)
“All grandeur, all power, all subordination to authority rests on the executioner: he is the horror and the bond of human association. Remove this incomprehensible agent from the world and at that very moment order gives way to chaos, thrones topple and society disappears.”
—Joseph De Maistre (1753–1821)