Rests
Just like the notes, the rest symbols already had the same shapes that were later to develop into the modern symbols (with the smaller values being successively introduced in the course of the period of Mensural notation). Unlike the notes themselves, rests had a fixed, invariable duration and could not be perfected, imperfected or alterated; however, they could in turn induce imperfection on a neighbouring larger note. For longa rests, there were two separate forms for the perfect (triplex) and for the imperfect (duplex) longa. As a consequence of their invariant duration, a sequence of rests could be used as an indication of the prevailing meter of a composition (in the absence of modern bar notation). This is often found at the beginning of the tenor voice of a composition.
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Famous quotes containing the word rests:
“Prayer is the fair and radiant daughter of all the human virtues, the arch connecting heaven and earth, the sweet companion that is alike the lion and the dove; and prayer will give you the key of heaven. As pure and as bold as innocence, as strong as all things are that are entire and single, this fair and invincible queen rests on the material world; she has taken possession of it; for, like the sun, she casts about it a sphere of light.”
—Honoré De Balzac (1799–1850)
“All grandeur, all power, all subordination to authority rests on the executioner: he is the horror and the bond of human association. Remove this incomprehensible agent from the world and at that very moment order gives way to chaos, thrones topple and society disappears.”
—Joseph De Maistre (1753–1821)
“Now night perfumes lie upon the air,
As rests the blossom on the loaded bough;
And each deep-drawn breath is redolent
Of all the folded flowers’ mingled scent
That rises in confused rapture now.”
—Philip Larkin (1922–1986)