Melilla - City Culture and Society

City Culture and Society

Melilla's Capilla de Santiago or James's Chapel, by the city walls, is the only genuine Gothic architecture in Africa.

In the first quarter of the 20th century, Melilla became a thriving port benefitting from the recently established Protectorate of Spanish Morocco in the contiguous Rif. The new architectural style of Modernisme was expressed by a new bourgeois class. This style, frequently referred to as the Catalan version of Art Nouveau, was extremely popular in the early part of the 20th century in Spain.

The workshops inspired by the Catalan architect, Enrique Nieto, continued in the modernist style, even after Modernisme went out of fashion elsewhere. Accordingly, Melilla has the second most important concentration of Modernist works in Spain after Barcelona.

Melilla has been praised as an example of multiculturalism, being a small city in which one can find up to three major religions represented. However, the Christian majority of the past, constituting around 65% of the population at one point, has been shrinking, while the number of Muslims has steadily increased to its present 45% of the population due to immigration from Muslim countries.

Jews, who had lived in Melilla for centuries, have been leaving the Spanish North African city in more recent years (from 20% of the population before World War II to less than 5% today). Most of the Jewish population has left to Israel and Venezuela. There is a small, autonomous, and commercially important Hindu community present in Melilla, as well. The culture in this little city is thus virtually divided into two halves; one being European and the other Amazigh. While the first is represented all over the rest of the country, the second, being represented only in this little part of Spain, is considered by some, especially in the mainland, to be foreign.

The amateur radio call sign used for both cities is EA9.