Max Kahn - Life and Work

Life and Work

Max Kahn went to the USA in 1907 studying art at Bradley University, went to Paris in 1926–1928, where he studied primarily sculpture with Charles Despiau and Antoine Bourdelle and drawing with Othon Friesz at the Academy Suede West on the Rive Droite. In 1935 he met Eleanor Coen, a lithographer and painter, whom he later married. They both went to the Chicago Art Institute where he studied and later taught.

In 1939 Kahn taught a four week course at the Herron School of Art. Eleanor Coen was on the WPA Federal Arts project from 1939 to 1940. and both she and Kahn were registered WPA artists. From the 1930s to early 1940 Kahn was the head of Chicago's WPA Art Print Department with Eleanor Coen at the Art Institute of Chicago. One of their WPA murals, painted in 1940, was discovered and restored in the 1990s. In 1941 after Eleanor won a fellowship they travelled to San Miguel de Allende in Mexico. Max set up the printmaking studio and taught printmaking at the Universitaria de Bellas Artes, which had recently opened. The school is now a national monument. Political prints collected in Mexico by Kahn and Coen while were exhibited at the Museum of Fine Arts, Houston in 2006. In 1942 after war started, Max and Eleanor returned to the USA, where they married. In the summer of 1942 they taught at Oxbow Summer School of painting at Saugatuck where Francis Chapin ran the summer school. In 1944 when Francis Chapin retired from the Art Institute he recommended Max for the job of teaching lithography, which Kahn did into the 60's.

Carl Zigrosser, a friend of Carl Shnewind, the curator of the Art Institute, encouraged Max to show his prints at Weyhe Gallery in New York, which specialized in exhibiting prints. This show in 1946 was the first large one-man show of color lithographs in this country. It was a very successful show from which New York's Metropolitan Museum and Museum of Modern Art bought several of Kahn's lithographs. His work is internationally collected and is now handled at Corbett vs. Dempsey gallery in Chicago. See www.maxkahn.com for more information.

Kahn's works were shown in group exhibitions:

  • 1939: Whitney Museum of American Art; Art Institute of Chicago; Pennsylvania Academy of the Fine Arts
  • 1939: World's Fair, New York
  • 1947–1951, 1958, 1960: Pennsylvania Academy of the Fine Arts Annuals
  • 1947, 1959: Corcoran Gallery, Washington, D.C.


His work is held in the collections of the Illinois State Museum, the Fine Arts Museums of San Francisco and the National Gallery of Canada. The Art Institute of Chicago

Read more about this topic:  Max Kahn

Famous quotes containing the words life and, life and/or work:

    Nominee. A modest gentleman shrinking from the distinction of private life and diligently seeking the honorable obscurity of public office.
    Ambrose Bierce (1842–1914)

    The nature of women’s oppression is unique: women are oppressed as women, regardless of class or race; some women have access to significant wealth, but that wealth does not signify power; women are to be found everywhere, but own or control no appreciable territory; women live with those who oppress them, sleep with them, have their children—we are tangled, hopelessly it seems, in the gut of the machinery and way of life which is ruinous to us.
    Andrea Dworkin (b. 1946)

    You should go to picture-galleries and museums of sculpture to be acted upon, and not to express or try to form your own perfectly futile opinion. It makes no difference to you or the world what you may think of any work of art. That is not the question; the point is how it affects you. The picture is the judge of your capacity, not you of its excellence; the world has long ago passed its judgment upon it, and now it is for the work to estimate you.
    Anna C. Brackett (1836–1911)