Love Don't Cost A Thing (song) - Composition

Composition

The song was written by Damon Sharpe, Greg Lawson, Georgette Franklin, Jeremy Monroe and Amille Harris; Ric Wake served as Producer. In "Love Don't Cost a Thing", Lopez sings about the "inner workings of love." Lyrically, the song is about a female lover "over" her love buying her heart through material goods, and she is frustrated to the extent of saying "even if you were broke, my love don't cost a thing." The inspiration has been believed to have come from her relationship with rapper Sean Combs, who had allegedly showered her with diamonds and Jewelry.

James Dinh from MTV wrote "In addition to birthing the public persona known as "J.Lo," this track is also the tale of a materialistic relationship (full of credit cards and lavish gifts) on the lead single to her sophomore effort. Think you gonna keep me iced, you don't/ Think I'm gonna spend your cash, I won't/ Even if you were broke/ My love don't cost a thing Lopez sings during the chorus. Rumor has it that the tune was about her high-profile relationship with Diddy."

Read more about this topic:  Love Don't Cost A Thing (song)

Famous quotes containing the word composition:

    The naive notion that a mother naturally acquires the complex skills of childrearing simply because she has given birth now seems as absurd to me as enrolling in a nine-month class in composition and imagining that at the end of the course you are now prepared to begin writing War and Peace.
    Mary Kay Blakely (20th century)

    Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.
    —Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)

    Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.
    James Boswell (1740–1795)