Long Poem - Advantages of The Long Poem Genre

Advantages of The Long Poem Genre

The long poem genre has several advantages over prose and strictly lyric poetry. The most obvious difference between the long poem and other literary genres is the sheer difficulty of composing a long work entirely in verse. Poets who undertake the long poem face the serious problem of creating a work that is consistently poetic, sometimes taking strict forms and carrying them through the whole poem. However, the poets who do choose the long poem turn this liability into an advantage—if a poet can write a long poem, they prove themselves to be worthy. The very difficulty gives the genre an implicit prestige. Long poems have been among the most influential texts in the world since Homer. By writing a long poem, a poet participates in this tradition and must prove their virtuosity by living up to the tradition. As discussed below, the traditionally difficult long poem's prestige can be revised to serve radical purposes.

Additional benefits of the long poem:

  • The long poem provides the artist with a greater space to create great meaning.
  • A long poem allows the author to be encyclopedic in their treatment of the world, as opposed to the potentially narrow focus of the lyric.
  • A long poem poet can work on a long poem his or her entire life, weaving in their impressions gleaned from the span of several generations (and historical events); it can be an ongoing work.
  • A long poem can encapsulate not just traditional poetry, but incorporate dialogue, prose passages, and even scripting.
  • A reader can absorb an entire world view from a long poem.

Read more about this topic:  Long Poem

Famous quotes containing the words advantages of, advantages, long, poem and/or genre:

    To say that a man is your Friend, means commonly no more than this, that he is not your enemy. Most contemplate only what would be the accidental and trifling advantages of Friendship, as that the Friend can assist in time of need by his substance, or his influence, or his counsel.... Even the utmost goodwill and harmony and practical kindness are not sufficient for Friendship, for Friends do not live in harmony merely, as some say, but in melody.
    Henry David Thoreau (1817–1862)

    We work harder than ever, and I cannot see the advantages in cooperative living.
    Lydia Arnold, U.S. commune supervisor (of the North American Phalanx, Red Bank, New Jersey, 1843- 1855)

    Mark the babe
    Not long accustomed to this breathing world;
    One that hath barely learned to shape a smile,
    Though yet irrational of soul, to grasp
    With tiny finger—to let fall a tear;
    And, as the heavy cloud of sleep dissolves,
    To stretch his limbs, bemocking, as might seem,
    The outward functions of intelligent man.
    William Wordsworth (1770–1850)

    Although those notes, in conformity with custom, come after the poem, the reader is advised to consult them first and then study the poem with their help, rereading them of course as he goes through its text, and perhaps after having done with the poem consulting them a third time so as to complete the picture.
    Vladimir Nabokov (1899–1977)

    We ignore thriller writers at our peril. Their genre is the political condition. They massage our dreams and magnify our nightmares. If it is true that we always need enemies, then we will always need writers of fiction to encode our fears and fantasies.
    Daniel Easterman (b. 1949)