Some articles on poems, poem:
Hartmann Von Aue - Works
... Hartmann produced four narrative poems which are of importance for the evolution of the Middle High German court epic ... His other two narrative poems are Gregorius, also an adaptation of a French epic, and Der arme Heinrich, which tells the story of a leper cured by a young girl who is ... have been made into modern German of all Hartmann's poems, while Der arme Heinrich has repeatedly attracted the attention of modern poets, both English (Longfellow, Rossetti) and German (notably, Gerhart Hauptmann) ...
... Hartmann produced four narrative poems which are of importance for the evolution of the Middle High German court epic ... His other two narrative poems are Gregorius, also an adaptation of a French epic, and Der arme Heinrich, which tells the story of a leper cured by a young girl who is ... have been made into modern German of all Hartmann's poems, while Der arme Heinrich has repeatedly attracted the attention of modern poets, both English (Longfellow, Rossetti) and German (notably, Gerhart Hauptmann) ...
Illuminations (poems) - Influence and Legacy
18 uses nine prose poems "Fanfare", "Villes", "Phrase", "Antique", "Royauté", "Marine", "Interlude", "Being Beauteous", "Parade", and "Départ" ... Three of these works are based on prose poems from Illuminations ... work for soprano, cello, and piano it takes the prose poems "Aube" and "Being Beauteous" as subject ...
18 uses nine prose poems "Fanfare", "Villes", "Phrase", "Antique", "Royauté", "Marine", "Interlude", "Being Beauteous", "Parade", and "Départ" ... Three of these works are based on prose poems from Illuminations ... work for soprano, cello, and piano it takes the prose poems "Aube" and "Being Beauteous" as subject ...
Four Quartets - Poems - Little Gidding
... of Eliot's declining health and his dissatisfaction with early drafts of the poem ... Eliot was unable to finish the poem until September 1942 ... Like the three previous poems of the Four Quartets, the central theme is time and humanity's place within it ...
... of Eliot's declining health and his dissatisfaction with early drafts of the poem ... Eliot was unable to finish the poem until September 1942 ... Like the three previous poems of the Four Quartets, the central theme is time and humanity's place within it ...
Fleur Adcock - Poetry Collections - Edited or Translated
... Virgin and the Nightingale Medieval Latin poems, Newcastle upon Tyne Bloodaxe Books, ISBN 978-0-906427-55-2 1987 Editor, Faber Book of 20th Century Women's Poetry, London and Boston Faber and Faber 1989 Translator ... Oxford and New York Oxford University Press 1992 Translator, Letters from Darkness Poems, Daniela Crasnaru, Oxford Oxford University Press 1994 Translator and editor, Hugh Primas and the Archpoet ...
... Virgin and the Nightingale Medieval Latin poems, Newcastle upon Tyne Bloodaxe Books, ISBN 978-0-906427-55-2 1987 Editor, Faber Book of 20th Century Women's Poetry, London and Boston Faber and Faber 1989 Translator ... Oxford and New York Oxford University Press 1992 Translator, Letters from Darkness Poems, Daniela Crasnaru, Oxford Oxford University Press 1994 Translator and editor, Hugh Primas and the Archpoet ...
Ingrid Jonker - Adulthood and Career
... Jonker's next collection of poems Rook en oker ("Smoke and Ochre") was published in 1963 after delays caused by the conservative approach of her publishers ... Jonker had started writing a new collection of poems just before her death ... A selection of these poems was published posthumously in the collection Kantelson ("Toppling Sun") ...
... Jonker's next collection of poems Rook en oker ("Smoke and Ochre") was published in 1963 after delays caused by the conservative approach of her publishers ... Jonker had started writing a new collection of poems just before her death ... A selection of these poems was published posthumously in the collection Kantelson ("Toppling Sun") ...
Famous quotes containing the word poems:
“A glass of papaya juice
and back to work. My heart is in my
pocket, it is Poems by Pierre Reverdy.”
—Frank O’Hara (1926–1966)
“After all, poets shouldn’t be their own interpreters and shouldn’t carefully dissect their poems into everyday prose; that would mean the end of being poets. Poets send their creations into the world, it is up to the reader, the aesthetician, and the critic to determine what they wanted to say with their creations.”
—Johann Wolfgang Von Goethe (1749–1832)
“Suppertime I float toward you
from the stewpot
holding poems you shrug off
and you kiss me like a mosquito.”
—Anne Sexton (1928–1974)
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