Literature Of Northern Ireland
Literature of Northern Ireland may include literature written in Northern Ireland and in that part of Ireland before the partition of the island of Ireland and literature written by writers from Northern Ireland. It includes literature in English, Irish and Ulster Scots.
The impact of Irish nationalism that led to the partition of the island of Ireland in 1921 means that literature of the Republic of Ireland is not considered to be British - although the identity of literature from Northern Ireland, as part of the literature of the United Kingdom, may fall within the overlapping identities of Irish and British literature where "the naming of the territory has always been, in literary, geographical or historical contexts, a politically charged activity". Writing from Northern Ireland has been described as existing in a "double post-colonial condition" being viewed as not British enough, not Irish enough, and (for writings in Scots) not Scottish enough to be included in consideration within the various national canons.
The identity of literature of Northern Ireland is as contested as the identity of Northern Ireland itself, but Northern Ireland writers have contributed to Irish, British and other literatures as well as reflecting the changing character of Northern Ireland society. As Tom Paulin put it, it should be possible "to found a national literature on this scutching vernacular".
Read more about Literature Of Northern Ireland: History, Literature in Irish, Literature in Ulster Scots, Literature in English, Poetry After 1922, Poetry After World War II, Belfast Literature, Derry Literature, Writers From Northern Ireland
Famous quotes containing the words northern ireland, literature of, literature, northern and/or ireland:
“... in Northern Ireland, if you don’t have basic Christianity, rather than merely religion, all you get out of the experience of living is bitterness.”
—Bernadette Devlin (b. 1947)
“A book is not an autonomous entity: it is a relation, an axis of innumerable relations. One literature differs from another, be it earlier or later, not because of the texts but because of the way they are read: if I could read any page from the present time—this one, for instance—as it will be read in the year 2000, I would know what the literature of the year 2000 would be like.”
—Jorge Luis Borges (1899–1986)
“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)
“Warmest climes but nurse the cruelest fangs: the tiger of Bengal crouches in spiced groves of ceaseless verdure. Skies the most effulgent but basket the deadliest thunders: gorgeous Cuba knows tornadoes that never swept tame northern lands.”
—Herman Melville (1819–1891)
“No people can more exactly interpret the inmost meaning of the present situation in Ireland than the American Negro. The scheme is simple. You knock a man down and then have him arrested for assault. You kill a man and then hang the corpse.”
—W.E.B. (William Edward Burghardt)