Literature of Northern Ireland - Poetry After 1922

Poetry After 1922

John Hewitt (1907–1987), whom many consider to be the founding father of Northern Irish poetry, also came from a rural background but lived in Belfast and was amongst the first Irish poets to write of the sense of alienation that many at this time felt from both their original rural and new urban homes.

Louis MacNeice (1907–1963) was associated with the left-wing politics of Michael Roberts's anthology New Signatures. MacNeice's poetry was informed by his immediate interests and surroundings and is more social than political. As an urban Northerner, MacNeice could not idealize his native landscape as did John Hewitt, and with his Belfast Anglican background could not sympathize with a romantic view of Catholic Ireland. He felt estranged from Presbyterian Northern Ireland with its "voodoo of the Orange bands", but felt caught between British and Irish identities.

Richard Rowley's early poems, in The City of Refuge (1917), were rhetorical celebrations of industry. His next volume, City Songs and Others (1918), included his most quoted poem The Islandmen, and is regarded as containing his most original work: Browning-like monologues straight from the mouths of Belfast’s working-class.

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    I cannot say what poetry is; I know that our sufferings and our concentrated joy, our states of plunging far and dark and turning to come back to the world—so that the moment of intense turning seems still and universal—all are here, in a music like the music of our time, like the hero and like the anonymous forgotten; and there is an exchange here in which our lives are met, and created.
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