Shift From Drama To Novels
After some success as a playwright, Feuchtwanger shifted his emphasis to the historical novel . His most successful work in this genre was Jud Süß (written 1921-22, published 1925), which was well-received internationally. His second great success was The Ugly Duchess Margarete Maultasch . For professional reasons, he moved to Berlin in 1925, and then to a large villa in Grunewald in 1932. In that same year, he published the first part of the trilogy Josephus The Jewish War .
Read more about this topic: Lion Feuchtwanger
Famous quotes containing the words shift from, shift, drama and/or novels:
“What is the life of man! Is it not to shift from side to side?—from sorrow to sorrow?—to button up one cause of vexation!—and unbutton another!”
—Laurence Sterne (1713–1768)
“The frantic search of five-year-olds for friends can thus be seen to forecast the beginnings of a basic shift in the parent-child relationship, a shift which will occur gradually over many long years, and in which a child needs not only the support of child allies engaged in the same struggle but also the understanding of his parents.”
—Dorothy H. Cohen (20th century)
“Our true history is scarcely ever deciphered by others. The chief part of the drama is a monologue, or rather an intimate debate between God, our conscience, and ourselves. Tears, griefs, depressions, disappointments, irritations, good and evil thoughts, decisions, uncertainties, deliberations—all these belong to our secret, and are almost all incommunicable and intransmissible, even when we try to speak of them, and even when we write them down.”
—Henri-Frédéric Amiel (1821–1881)
“The present era grabs everything that was ever written in order to transform it into films, TV programmes, or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.”
—Milan Kundera (b. 1929)