Release and Critical Reaction
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| BBC Music | Favourable |
| Blender | |
| Billboard | Favourable |
| Robert Christgau | A |
| Entertainment Weekly | A+ |
| Q | |
| Rolling Stone | Favourable |
| The Rolling Stone Album Guide | |
| Spin | Favourable |
In the lead-up to the album's release, a series of teaser advertisements depicting each symbol was placed in the music press.
The album was a massive instant seller. It entered the UK chart at No. 1 and stayed on the chart for 62 weeks. In the US it stayed on the charts longer than any other Led Zeppelin album and became the biggest selling album in the US not to top the charts (peaking at #2).
"Ultimately," writes Lewis, "the fourth Zeppelin album would be the most durable seller in their catalogue and the most impressive critical and commercial success of their career". Music critic Robert Christgau has dubbed it "a genre masterpiece".
Read more about this topic: Led Zeppelin IV
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“The male has been persuaded to assume a certain onerous and disagreeable rôle with the promise of rewards—material and psychological. Women may in the first place even have put it into his head. BE A MAN! may have been, metaphorically, what Eve uttered at the critical moment in the Garden of Eden.”
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“An actor must communicate his author’s given message—comedy, tragedy, serio- comedy; then comes his unique moment, as he is confronted by the looked-for, yet at times unexpected, reaction of the audience. This split second is his; he is in command of his medium; the effect vanishes into thin air; but that moment has a power all its own and, like power in any form, is stimulating and alluring.”
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