Hanji Art and Craft Forms
There are two divisions of hanji art: two dimensional and three dimensional. Two-dimensional hanji art uses paper of various colors to create an image in a similar format as a painting, however the paper itself is folded and crumpled to make the image stick up from the paper it is adhered to, but the image itself is only a two-dimensional likeness, although there may be depth to some of the elements. Two-dimensional hanji art can be framed much like a painting. Three-dimensional hanji art is similar to paper mache, in that it can make sculptural objects that may stand unsupported.
Traditional hanji craft forms include jiho, jido, and jiseung. Jiho is a method that uses hanji scraps soaked in water and then added to glue, making a clay-like paste that can be molded into lidded bowls. Jido is the craft of pasting many layers of hanji onto a pre-made frame, which can be made into sewing baskets and trunks. Jiseung is a method of cording and weaving strips of hanji to make a wide array of household goods, including trays, baskets, mats, quivers, shoes, washbasins, and chamberpots.
Read more about this topic: Korean Paper
Famous quotes containing the words art, craft and/or forms:
“Abused as we abuse it at present, dramatic art is in no sense cathartic; it is merely a form of emotional masturbation.... It is the rarest thing to find a player who has not had his character affected for the worse by the practice of his profession. Nobody can make a habit of self-exhibition, nobody can exploit his personality for the sake of exercising a kind of hypnotic power over others, and remain untouched by the process.”
—Aldous Huxley (1894–1963)
“But for the lovers, their arms
Round the griefs of the ages,
Who pay no praise or wages
Nor heed my craft or art.”
—Dylan Thomas (1914–1953)
“Anyone who seeks for the true causes of miracles, and strives to understand natural phenomena as an intelligent being, and not to gaze at them like a fool, is set down and denounced as an impious heretic by those, whom the masses adore as the interpreters of nature and the gods. Such persons know that, with the removal of ignorance, the wonder which forms their only available means for proving and preserving their authority would vanish also.”
—Baruch (Benedict)