Film Career
By that time, film studios had started their exodus from New York to California, and many Broadway actors had been enticed to travel west to Hollywood to make films, including Ann Harding, Aline MacMahon, Helen Twelvetrees, Barbara Stanwyck, Humphrey Bogart and Leslie Howard. Francis, signed to a Paramount contract, also made the move, and created an immediate impression. She frequently costarred with William Powell, and appeared in as many as six to eight movies a year, making a total of 21 films between 1929 and 1931.
Francis's success flourished in spite of a distinct speech impediment (she pronounced the letters "r" and "l" as "w") that gave rise to the nickname "Wavishing Kay Fwancis."
Francis' career at Paramount changed gears when Warner Brothers promised her star status at a better salary. She appeared in George Cukor's Girls About Town (1931) and Twenty-Four Hours (1931). After Kay's career skyrocketed at Warners, she would return to Paramount for Ernst Lubitsch's Trouble in Paradise (1932).
In 1932, Warner Brothers persuaded both Francis and Powell to join the ranks of Warners stars, along with Ruth Chatterton. In exchange, Francis was given roles that allowed her a more sympathetic screen persona than had hitherto been the case—in her first three featured roles she had played a villainess. For example, in The False Madonna (1932), she played a jaded society woman nursing a terminally ill child who learns to appreciate the importance of hearth and home.
Read more about this topic: Kay Francis
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