Recording
The song was recorded on 19 October 1967 at De Lane Lea Studios. Barrett wanted a Salvation Army band to play on the track. They were brought in, but when he stated that he wanted them to simply "play whatever they want" regardless of the rest of the group, Norman Smith insisted on recorded parts. Eventually both versions were recorded and used. The names of those Salvation Army members that participated is not known, due to paperwork being lost over time. About The Salvation Army, band manager Andrew King said that Barrett "wanted a massive Salvation Army freak-out, but that's the only time I can remember Norman putting his down."
Because of Barrett's increasingly erratic behavior, which reduced his commitment to both songwriting and recording, as well as the song's distinctive three-tiered structure (3/4, 2/4 and 4/4) some listeners believed that "Jugband Blues" was more than likely a mash-up of three or four separate Barrett demos from various points that the rest of the band spliced together, presumably to create the impression that "Jugband" was a singular, stand-alone piece; this has proven not to be the case, and "Jugband Blues" was recorded how Barrett composed it.
Read more about this topic: Jugband Blues
Famous quotes containing the word recording:
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (1870–1942)
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)