Joseph Noel Paton - Work

Work

  • Cymocles Discovered By Atis In The Bowre Of Blisse, Spencer's Fairie Queene, Book II, Chapter V (1848)
    (Type : Pen, ink and wash Size : 8¼ × 12 inches (21 × 30.5 cm) Location : Public collection)
  • Calvary (1849)
    (Type : Pencil on paper Size : 4⅛ × 6½ inches (10.5 × 16.8 cm) Location : Private collection)
  • Sermon on the Mount (1849)
    (Type : Pencil on paper Size : 4⅛ × 6½ inches (10.5 × 16.8 cm) Location : Private collection)
  • The Pursuit of Pleasure (1855)
  • The Bluidie Tryst (1855)
    (Type : Oil on Canvas Size : 28⅝ × 25½ inches (73 × 65 cm) Location : Glasgow Art Gallery and Museum, Glasgow, Scotland)
  • Home (ca. 1855–56)
    (Type: Oil on Panel Location: Chrysler Museum of Art, Norfolk, VA)
  • Hesperus (1857)
    (Type : Oil on canvas Size : 35¾ × 27⅛ inches (91 × 69 cm) Location : Glasgow Art Gallery and Museum, Glasgow, Scotland)
  • Hesperus – detail (1857)
    (Type : Oil on canvas Size : 35¾ × 27⅛ inches (91 × 69 cm) Location : Glasgow Art Gallery and Museum, Glasgow, Scotland)
  • In Memoriam (1858)
    (Type : Oil on panel Size : 48⅜ × 37⅞ inches (123 × 96.5 cm) Location : Private collection)
  • By a Painter (1861) Poem
  • Mors Janua Vitae (1866)
  • Spindrift (1867) Poem
  • Oskold and the Ell-maids (1874)
  • The Man with the Muck-Rake (1875–9)
    (Location : Ferens Art Gallery, Hull City Museums collection, also a study for the same work (1872))
  • In Die Malo (1882)
  • How an Angel rowed Sir Galahad across the Dern Mere (1888)
    (Type : Oil on canvas Location : Private collection)
  • Oberon and the Mermaid (1888)
    (Type : Oil on canvas Location : Private collection)
  • The Spirit of Religion (cartoon) at Dunfermline City Chambers
  • Sir Galahad
    (Type : Oil on canvas Location : Private collection)
  • Warriors
    (Type : Oil on canvas Size : 23 × 27⅞ inches (58.5 × 71 cm) Location : Private collection)

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Famous quotes containing the word work:

    It was always the work that was the gyroscope in my life. I don’t know who could have lived with me. As an architect you’re absolutely devoured. A woman’s cast in a lot of roles and a man isn’t. I couldn’t be an architect and be a wife and mother.
    Eleanore Kendall Pettersen (b. 1916)

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    Not rarely, and this is especially true of wives and mothers, the motive behind assuming a disproportionate share of work and responsibility is completely unselfish. We want to protect, to spare those of whom we are fond. We forget that, regardless of the motive, the results of such action are almost always destructive and unproductive.
    Hortense Odlum (1892–?)