Works About Harry Potter
Granger first became interested in Harry Potter when his daughter was given a copy of Harry Potter and the Philosopher's Stone. He read the book with the intention of pointing out to his daughter what was wrong with it but instead was impressed by the Christian imagery, classical references, and 'acerbic criticism of muggledom'. Granger's interest grew through discussion with friends in the Port Townsend C. S. Lewis Society. He gave lectures on the subject at the Society and the town's Carnegie Library which lectures were eventually collected into a book, 'Hidden Key to Harry Potter' (Zossima Press, 2002). That book was re-written and re-titled first 'Looking for God in Harry Potter' (Tyndale, 2004, 2006) and now 'How Harry Cast His Spell' (Tyndale, 2008).
This book in its updated and revised forms argues that the Harry Potter novels are as popular as they are because of their traditional symbolism and spiritual content. Granger believes, following Mircea Eliade, that because forms of entertainment in a secular or profane culture serve a mythic and religious function; the most popular works will be those with transcendent imagery, structure, and meaning. Granger holds, contrary to several Christian critics of the series – including Brjit Kjos and Richard Abanes – that the books' magic is incantational rather than invocational, and, as such, require and support a Christian worldview rather than undermine it.
Granger taught Harry Potter courses on the online Barnes and Noble University and as a guest in their Book Clubs from 2004 to 2007. He has also appeared as a guest in favor of the Harry Potter books on several radio and TV shows, including CNN's Paula Zahn Now, MSNBC, and A&E's The Hidden Secrets of Harry Potter (which special is on the Harry Potter and the Order of the Phoenix DVD). Having been the first to note and explain the traditional alchemical and Christian imagery in the novels, he has become involved in the debate with those who criticize Ms. Rowling's novels, critics who believe the adventure stories encourage children to consider paganism and witchcraft as alternative faiths. In The Deathly Hallows Lectures, he explains the predominant eye symbolism of the series finale in light of Samuel Taylor Coleridge's natural theology and the consequent tradition of eye and mirror symbolism in Romantic literature.
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