Novels
His first novel was Trees of Heaven (1940). Set in rural Kentucky, the novel tells the story of Anse Bushman, who loves working the land and wants more land. Stuart's style is simple and sparse. Taps for Private Tussie (1943) is perhaps his most popular novel, selling more than a million copies in only two years. The novel also received critical claim and won the Thomas Jefferson Southern Award for the best Southern book of the year. In 1974, Gale Research (in American Fiction, 1900-1950) identified Jesse Stuart as one of the forty-four novelists in the first half of the 20th century with high critical acclaim. Jesse Stuart was the second youngest of that group (William Saroyan was one year younger).
Read more about this topic: Jesse Stuart
Famous quotes containing the word novels:
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“The novels are as useful as Bibles, if they teach you the secret, that the best of life is conversation, and the greatest success is confidence, or perfect understanding between sincere people.”
—Ralph Waldo Emerson (1803–1882)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)