Jean-Baptiste Colbert - The Death of Mazarin and Colbert's Rise

The Death of Mazarin and Colbert's Rise

Colbert was recommended to King Louis XIV by Mazarin. While Cardinal Mazarin was in exile, Louis' trust in Colbert grew. In 1652 Colbert was asked to manage the affairs of the Cardinal while he was away. This new responsibility would detach Colbert from his other responsibility as commissaire des guerres. Although Colbert was not a supporter of Mazarin in principle, he would defend the cardinal's interests with unflagging devotion.

Colbert's earliest recorded attempt at tax reform came in the form of a mémoire to Mazarin, showing that of the taxes paid by the people, not one-half reached the King. The paper also contained an attack upon the Superintendent Fouquet. The postmaster of Paris, a spy of Fouquet's, read the letter, leading to a dispute which Mazarin attempted to suppress.

In 1661, Mazarin died and Colbert "made sure of the King's favour" by revealing the location of some of Mazarin's hidden wealth. In January 1664 Colbert became the Superintendent of buildings; in 1665 he became Controller-General of Finances; in 1669, he became Secretary of State of the Navy; he also gained appointments as minister of commerce, of the colonies and of the palace. In short, Colbert acquired power in every department except that of war.

A great financial and fiscal reform at once claimed all his energies. Not only the nobility, but many others who had no legal claim to exemption, paid no taxes; the bulk of the burden fell on the wretched country-folk. Supported by the young king Louis XIV, Colbert aimed the first blow at the man accused of being the greatest of the royal embezzlers, the superintendent Nicolas Fouquet. Fouquet's fall, it should be noted, simultaneously secured Colbert's own advancement.

Read more about this topic:  Jean-Baptiste Colbert

Famous quotes containing the words death, mazarin, colbert and/or rise:

    You know, if this is Venus, or some other strange planet, we’re liable to run into some high-domed characters with green blood in their veins who’ll blast at us with their atomic death rayguns, and there we’ll be with these—these poor old-fashioned shootin’ irons.
    Edward L. Bernds (b. 1911)

    The French are nice people. I allow them to sing and to write, and they allow me to do whatever I like.
    —Jules Mazarin (c. 1602–1661)

    Why do grandparents and grandchildren get along so well? The mother.
    —Claudette Colbert (20th century)

    He is the old hunting dog of the sea
    who in the morning will rise from it
    and be undrowned
    and they will take his perfect green body
    and paint it red.
    Anne Sexton (1928–1974)