Work
Duncan began her dancing career by teaching lessons in her home from the time she was six through her teenage years. Her different approach to dance is evident in these preliminary classes, in which she “followed fantasy and improvised, teaching any pretty thing that came into head”. A desire to travel brought Duncan to Chicago where she auditioned for many theater companies, finally finding a place in Augustin Daly's company. This job took her to New York City where her unique vision of dance clashed with the popular pantomimes of theater companies. Feeling unhappy and limited with her work in Daly’s company and with American audiences, Duncan decided to move to London in 1898. There she found work performing in the drawing rooms of the wealthy and inspiration from the Greek vases and bas-reliefs in the British Museum. The money she earned from these engagements allowed her to rent a dance studio to develop her work and create larger performances for the stage. From London, Duncan travelled to Paris, where she drew inspiration from the Louvre and the Exhibition of 1900.
One day in 1902, Loie Fuller visited Duncan’s studio and invited Duncan to tour with her. This took Duncan all over Europe creating new works using her innovative dance technique. This style consisted of a focus on natural movement instead of the rigid technique of ballet. She spent most of the rest of her life in this manner, touring in Europe as well as North and South America, where she performed to mixed critical reviews. Despite the critics’ mixed reactions, she became quite popular for her distinct style and inspired many visual artists, such as Antoine Bourdelle, Auguste Rodin, and Abraham Walkowitz, to create works based on her.
Duncan disliked the commercial aspects of public performance like touring and contracts because she felt they distracted her from her real mission: the creation of beauty and the education of the young. To achieve her mission, she opened three schools to teach young women her dance philosophy. The first was established in 1904 in Grunewald, Germany. This institution was the birthplace of the “Isadorables,” Anna, Maria-Theresa, Irma, Lisa, Gretel, and Erika, Duncan’s protégées who would go on to continue her legacy. Later, Duncan established a school in Paris that was shortly closed due to the outbreak of World War I. In 1921, her leftist sympathies took her to the Soviet Union where she founded a school in Moscow. However, the Soviet government’s failure to follow through on promises to support her work caused her to move West and leave the school to Irma.
Read more about this topic: Isadora Duncan
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