Detailed Track Information and Commentary
The first side of the album, "Police Street", features a group of sketches interconnected by the kind of police show satire reminiscent of Phil Austin's detective fiction (Austin being best known as the detective character Nick Danger). The highlight sketch is "Give It Back," a mock game show in which losing contestants have to surrender their parents' material possessions to the Native Americans. In surreal fashion, the police satire also plays out a family drama. In this drama the main characters are: the hard-boiled Lieutenant Detective Random Coolzip; his wife, Peggy, who is also his dispatcher; their son, Skip Coolzip, a junior policeman; and their daughter, Kim, a pornographic film actress.
Several side sketches are interwoven with the police drama. In the first, a commercial for Dead Cat Soap segues into a soap opera spoof, starring Peggy. We learn that Random is rarely home, Peggy is having an affair, and Skip's ("Skipper" to his mother) sexual orientation is a scandal. In the second, Kim Coolzip presents a seductive commercial for liquid meat, which segues into her appearance on a charity fund-raising telethon. The third is the game show, in which Skip Coolzip "gives back" to Native Americans his family's car, then his father's squad car ("the black screamer"), and finally, "everything." He is also assigned, with his sister, to take over the Academy Awards celebration "with these stirring words: 'Eat flaming death, fascist media pigs.'"
The second side of the album, "We've Lost Our Big Kabloona", culminates in the hostage situation, on stage during the live broadcast of the Academy Awards. While accepting an award for a police/family drama called "Squat!," which stars their parents and seems identical to the show on the first side of the album, Skip and Kim Coolzip reveal a gun. They demand that the President of the United States appear in Hollywood "with a plane full of cash and all those broken treaties," or they will shoot the nominees one by one in alphabetical order. This sketch was inspired by Sacheen Littlefeather's appearance at the 1973 Academy Awards.
In the liner notes, thanks are given to authors Jorge Luis Borges and Raymond Chandler.
This album was the only commercial album during the group's Columbia Records period that was released under the group name but not crediting all four members as writers. The script is formally credited only to Phil Austin and David Ossman, although the other two members, Peter Bergman and Philip Proctor, honed their parts further during recording. The result did not sell well, and the label declined to renew the group's contract.
This album was recorded in the same Warner Brothers studio in Burbank, California, where John Lennon and Harry Nilsson recorded Pussy Cats. The same engineer worked on both albums.
Read more about this topic: In The Next World, You're On Your Own
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