Hoard

In archaeology, a hoard is a collection of valuable objects or artifacts, sometimes purposely buried in the ground. This would usually be with the intention of later recovery by the hoarder; hoarders sometimes died before retrieving the hoard, and these surviving hoards may be uncovered by metal-detectorists, members of the public and archaeologists much later. Forgetfulness and physical displacement from the location of the hoard may contribute to failing to retrieve it.

Hoards provide a useful method of providing dates for artifacts through association as they can usually be assumed to be contemporary and therefore used in creating chronologies. Hoards can also be considered an indicator of the relative degree of unrest in ancient societies. Thus conditions in 5th century and 6th century Britain spurred the burial of hoards of which the most famous are the Hoxne Hoard, Suffolk; the Mildenhall Treasure, the Fishpool Hoard, Nottinghamshire, the Water Newton hoard, Cambridgeshire, and the Cuerdale Hoard, Lancashire, all preserved in the British Museum.

Prudence Harper of the Metropolitan Museum of Art voiced some practical reservations about hoards at the time of the Soviet exhibition of Scythian gold in New York, 1975. Writing of the so-called "Maikop treasure" acquired from three separate sources by three museums early in the twentieth century, the Berliner Museen, the University of Pennsylvania Museum of Archaeology and Anthropology, and the Metropolitan Museum, New York, Harper warned

"By the time 'hoards' or 'treasures' reach museums from the antiquities market, it often happens that miscellaneous objects varying in date and style have become attached to the original group."

Such 'dealer's hoards' can be highly misleading, but better understanding of archaeology amongst collectors, museums and the general public is gradually making them less common, and more easily identified.

Read more about Hoard:  Classification, Middle East

Famous quotes containing the word hoard:

    One of the few things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, or for another book; give it, give it all, give it now.
    Annie Dillard (b. 1945)

    One ought not to hoard culture. It should be adapted and infused into society as a leaven. Liberality of culture does not mean illiberality of its benefits.
    Wallace Stevens (1879–1955)