Literary Historian
The Introduction to the Literature of Europe continues a topic broached in the View of the Middle Ages. In the first chapter Hallam sketches the state of literature in Europe down to the end of the 14th century: the extinction of ancient learning which followed the fall of the Roman empire and the rise of Christianity; the preservation of the Latin language in the services of the church; and the revival of letters after the 7th century. For the first century and a half of his period he is mainly occupied with a review of classical learning, taking short decennial periods and noticing works which they produced. For the period 1520–1550 there are separate chapters on ancient literature, theology, science, speculative philosophy and jurisprudence, the literature of taste and other miscellaneous literature; and the subdivisions of subjects is carried further in later periods. Thus poetry, the drama and polite literature form the subjects of separate chapters. An author may be mentioned in many chapters: Shakespeare, Grotius, Francis Bacon and Thomas Hobbes appear in half a dozen different places.
The plan excluded biographical history. It is an account of the books which would make a complete library of the period, arranged according to date of publication and subject.
Read more about this topic: Henry Hallam
Famous quotes containing the words literary and/or historian:
“... my last work is no sooner on the stands than letters come, suggesting a subject. The grandmothers of strangers are crying from the grave, it seems, for literary recognition; it is bewildering, the number of salty grandfathers, aunts and uncles that languish unappreciated.”
—Catherine Drinker Bowen (1897–1973)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)