Recording
"Heartbreak Hotel" was the second song Presley recorded at RCA Victor, following "I Got a Woman", during his debut session at 1525 McGavock Street in Nashville on January 10, 1956. Presley arrived at the studio with the song ready to record without seeking RCA's approval, and although producer Steve Sholes was not sure that it would be a success, he recorded "Heartbreak Hotel" believing that Presley knew what he was doing. Recording at RCA was a different experience for Presley and his band, who were used to a more relaxed atmosphere at Sun Studio. Guitar player Scotty Moore later commented, "It was a larger studio than Sun's and more regimented - they called everything by a tape number. We would sit around at Sun, eat hamburgers and then somebody would say, 'Let's try something.'"
Almost immediately Sholes discovered a problem while recording Presley. RCA had always insisted their performers stay still as they sang so the microphone would pick up the vocals; even the slightest tilt of the head would result in missing sound. Sholes had told Presley to stand on a painted X on the floor, telling him "Whatever you do, don't move". During the recording of "I Got a Woman", Sholes noticed that Presley's voice and guitar were not always being picked up by the microphone. Presley explained to Sholes that he had to "jump around to sing it right. It's something that just happens—just a part of the way I sing". Sholes arranged for the whole studio to be re-miked so that Presley's voice and guitar could be picked up from anywhere in the studio, and recording continued.
As well as The Blue Moon Boys, his regular backing band of Moore, bassist Bill Black and drummer D.J. Fontana, Presley was joined by established RCA musicians Chet Atkins (who also helped Sholes produce the session) on guitar, and Floyd Cramer on piano. Following a suggestion from Presley, Scholes used a hallway at the studio to get an unusual echo for the single. Sholes was attempting to recapture the Sun Records sound, but he was unaware that Sun founder Sam Phillips had used two tape recorders and a slight time delay to create it on previous Presley recordings. When Phillips first heard "Heartbreak Hotel", he remarked that it was a "morbid mess". Most others at RCA agreed, declaring "Heartbreak Hotel" a terrible choice of song, especially after hearing that the finished recording sounded nothing like Presley's Sun recordings. Internal memos from the time show that every one of RCA's executive corps disliked it so much that one of them insisted "We certainly can't release that one".
In an interview, Durden conceded that he did not recognize his song after Presley had made the changes to it in the studio, including the tempo, phrasing, lyrics, and overall sound. In subsequent recordings, these major modifications to the existing material became a normal procedure for Presley who took over the role of producer, although Sholes was still credited. Speaking of Sholes' producing credits, Phillips said "he was not a producer. Steve was just at every session".
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Famous quotes containing the word recording:
“Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
—Henry David Thoreau (1817–1862)
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (1870–1942)
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)