History
The song, as well as the album on which it is featured, was a marked departure from Chicago's traditional soft rock, horns-driven sound, taking on a polished and modern feel. There were minimal horns on the track, instead featuring more layered synthesizers and heavier distorted electric guitars in a contemporary 1980s styling. This was done to revitalize the band that was considered by some to be past its commercial prime at the time.
The album version of "Hard to Say I'm Sorry" segued into a second song titled "Get Away," which was closer to the older horn-driven Chicago sound. Most adult contemporary radio stations at the time did not play the entire album track, however, choosing to cut it off just before "Hard to Say I'm Sorry" segued into "Get Away." About half the Top 40 radio stations played the longer version with "Get Away".
Deviating from Chicago's practice of having mostly band members playing on their albums, "Hard to Say I'm Sorry" featured several session musicians. The song featured producer David Foster on the piano, as well as three members of the American rock band Toto: Steve Lukather on guitar, while David Paich and Steve Porcaro both contributed synthesizers. The song's vocals were performed by Cetera and new member Bill Champlin.
Read more about this topic: Hard To Say I'm Sorry
Famous quotes containing the word history:
“The thing that struck me forcefully was the feeling of great age about the place. Standing on that old parade ground, which is now a cricket field, I could feel the dead generations crowding me. Here was the oldest settlement of freedmen in the Western world, no doubt. Men who had thrown off the bands of slavery by their own courage and ingenuity. The courage and daring of the Maroons strike like a purple beam across the history of Jamaica.”
—Zora Neale Hurston (1891–1960)
“No event in American history is more misunderstood than the Vietnam War. It was misreported then, and it is misremembered now.”
—Richard M. Nixon (b. 1913)
“The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.”
—Henry Geldzahler (1935–1994)